5 upcoming movies coming out May 2019

Andrew Cripe

FILM CRITIC


“Shadow” (May 3)

Prediction: Good

After the colossal failure of the 2016 action movie “The Great Wall”, Chinese filmmaker Zhang Yimou looks to make a huge comeback with “Shadow”, a historical drama that has already received rave reviews from around the world. Expect the return of Yimou’s awe-inspiring fight choreography and visual mastery that made films like “Hero” and “House of Flying Daggers” international sensations.

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“Long Shot” (May 3)

Prediction: Okay

From the trailer of this romantic comedy about a Presidential candidate (Charlize Theron) falling in love with a reporter (Seth Rogen), Jonathan Levine’s latest seems genuinely sweet, if not a bit formulaic. It’s not clear if Rogen will be playing his usual bumbling stoner or if he will be aiming somewhat higher, but the best can always be expected of Charlize Theron, one of the finest actresses out there.

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“The Hustle” (May 10)

Prediction: Meh

After the respectable success of this year’s “Isn’t It Romantic”, the delightful Rebel Wilson will soon be back in theaters for a heist film about two con artists that become partners, co-starring Anne Hathaway. “The Hustle” has great talent supporting it, but the question is whether the film itself will rise to their level, and from the looks of the lame jokes in the trailer, the odds are not promising.

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“Pokémon: Detective Pikachu” (May 10)

Prediction: Divisive

This is the first live action Pokémon movie, and it looks a little terrifying. Every major Pokémon from the popular anime and videogame series is represented, and from the trailers, some look adorable, like Pikachu (voiced by Ryan Reynolds). But there are others that are mind-bogglingly freaky, like the menacing-looking Psyduck and the taunting, nightmarish expression on Mr. Mime’s face. The production value looks stellar, and the whole package could very well be one of 2019’s most satisfying family films, but it could also be a disaster the likes of which we’ve never seen. Devotees of the series already know they’ll be seeing it, but for the casual moviegoer, Detective Pikachu will probably not be their cup of tea.

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“John Wick: Chapter 3” (May 17)

Prediction: Excellent

The last two John Wick movies were amazing. They were popular action movies that had the decency to tell an interesting story about a former hitman while still being jaw-droppingly violent and extremely badass. These movies are a cross between “Mortal Kombat” and “The Raid”, and this third entry promises to the titular character’s biggest, craziest, most ambitious adventure yet.

Responding to the 91st Academy Awards

The 91st Academy Awards aired recently, and the show defied expectations by not sucking. Many tuned in just to observe what was shaping up to be the worst telecast yet, and they were probably disappointed to find that everything went off without a hitch. There were no accidental winners (i.e., the ‘La La Land’ & ‘Moonlight’ controversy), the runtime did not overstay its welcome (clocking in at 3 hrs. and 22 min., roughly a half-hour shorter than 2018’s ceremony), and Lady Gaga & Bradley Cooper KO’d viewers with their performance of “Shallow” (for which they won, in the evening’s most obvious decision, Best Original Song). It was a pretty decent night of television.

That said, the Oscars always do two things: showcase the world’s most popular cinematic talents in dashing clothes & dress, and piss everybody else off. Even though the production went smoothly (the only misstep being Rami Malek falling off the stage after the cameras stopped rolling, fortunately suffering no injuries), this may be the most frustrating and baffling year for winners since “Crash” won Best Picture in 2005.

The abysmally reviewed “Bohemian Rhapsody” won the most awards of the evening: Sound Mixing, Sound Editing, Film Editing, and Best Lead Actor (Rami Malek). This was surprising, not only because “Bohemian Rhapsody” is a ridiculously bad movie, but because Bryan Singer, since allegations of pedophilia resurfaced last fall, has been persona-non-grata from the film industry.

“Bohemian Rhapsody” winning numerous awards echoes the controversy of the 2003 ceremony, when Roman Polanski’s “The Pianist” won three awards, despite its creator being a convicted sex offender.

But the biggest winner of the night was “Green Book”, taking Best Picture, Best Original Screenplay, and Best Supporting Actor (Mahershala Ali). Don’t get me wrong, “Green Book” is a delightful movie with impressive acting, but it was not 2018’s best movie. It had the production quality of a Redbox film, the screenplay lacked any subtlety or nuance, and director Peter Farrelly’s last two movies (“Dumb and Dumber To” & “Movie 43”) were satanically awful. It’s a definite crowd pleaser, but one can’t help but see shades of the naive and condescending 1990 Best Picture winner “Driving Miss Daisy” in its screenplay. Why it won is no mystery since the Academy loves to champion tearjerkers and feel-good journeys you can take your grandparents to see, but daring, beautiful, immensely artistic films “Roma” and “Black Panther” deserved “Best Picture” infinitely more than this year’s winner.

Now, for a rundown of all the major categories:

Lead Actor

Won: Rami Malek for “Bohemian Rhapsody”

Should have won: Either Christian Bale for his admittedly great performance as Dick Cheney in the otherwise underwhelming “Vice” or Bradley Cooper for his liquor-soaked, effectively miserably performance in “A Star is Born”.

Not nominated: Ryan Gosling for his restrained, grieving, guilt-wracked performance in “First Man”.

Supporting Actor

Won: Mahershala Ali for “Green Book”

Should have won: Sam Elliot for his foul-mouthed, man-tears-aplenty role in “A Star is Born”.

Not nominated: Brian Tyree Henry for his scene-stealing role in “If Beale Street Could Talk”, a role that will go down as one of the greatest “brief” (less than 20 minutes, but more than a cameo) performances in history, alongside Beatrice Straight in “Network” and R. Lee Ermey in “Full Metal Jacket”.

Lead Actress

Won: Olivia Coleman for “The Favourite”

Should have won: Yalitza Aparicio, who despite being a first-time actress delivered the performance of a lifetime in “Roma”.

Not nominated: Viola Davis for her badass yet melancholy performance in “Widows” (which was criminally nominated for nothing).

Supporting Actress

Won: Regina King for “If Beale Street Could Talk”

Should have won: Nobody. King absolutely killed it in “If Beale Street Could Talk”. She will tear your heart out, give it a hug, and return it to you gift-wrapped.

Not nominated: Jong-seo Jun for her mysterious, sexy, mesmerizing performance in “Burning”.

Director

Won: Alfonso Cuaron for “Roma”

Should have won: Cuaron deserved this one. This is the sort of film most directors dream of making but never pull off. This is the “Gravity” director’s most personal film, as well as one of the best cinematic gifts of this generation.

Not nominated: Ryan Coogler for his stylish, powerful direction of “Black Panther”, by far the most artistic and satisfying Marvel Cinematic Universe film to date.

Original Song

Won: “Shallow” from “A Star is Born”

Should have won: “Shallow”. People knew from the minute they heard this song in the first trailer that it would win the award. That, and the song kicks major ass.

Not nominated: None. Very solid category.

Original Score

Won: Ludwig Goransson for “Black Panther”

Should have won: Nicolas Britell’s overwhelming score for “If Beale Street Could Talk”. Find the album on Spotify and weep.

Not nominated: Daniel Pemberton’s score for “Spider-Man: Into the Spider-Verse” works extremely well with the exhilarating action sequences. A tremendous amount of work went into every moment.

Adapted Screenplay

Won: “BlackKklansmen” by Spike Lee, Charlie Wachtel, David Rabinowitz, and Kevin Willmott

Should have won: Spike Lee and company were the correct choice for this one, and not only because Lee has deserved an Oscar for the longest time; the film is timely, sharp, painful, hilarious, and disturbing, and only Lee could have pulled it off.

Not nominated: Lynne Ramsay deserved recognition for the blunt, brutal, devastating “You Were Never Really Here”.

Original Screenplay

Won: “Green Book”

Should have won: “First Reformed”, which marks the return of the problematic and controversial Paul Schrader (legendary screenwriter of “Taxi Driver” and “Raging Bull”). Despite his being a certified curmudgeon, “First Reformed” was one of the strongest motion pictures of 2018, and he deserved the award.

Not nominated: Rafael Casal and Daveed Diggs for the intense, free-flowing, surprisingly funny dialogue in “Blindspotting”.

Best Picture

Won: “Green Book”

Should have won: “Roma”, which was undoubtedly the best film of 2018.

Not nominated: “Widows”, “Blindspotting”, and “First Man” were all amongst 2018’s best, and all three were leagues ahead of “Green Book” in terms of quality, emotion and excitement. They were emblematic of what an impressive year for film 2018 was and have joined the pile of innumerable great films to be snubbed and ignored by the award show that claims to honor the best-of-the-best movies.